Delta Classic è specializzato in modo unico nelle esigenze di ingegneria del suono e delle produzioni di musica classica. Come servizio completo — sia per concerti sinfonici, trasmissioni televisive o eventi internazionali - forniamo amplificazioni, trasmissioni e registrazioni del suono con tecnologie all'avanguardia.
Delta Classic combina decenni di esperienza con una profonda dedizione professionale alla musica classica. Il nostro obiettivo è trasmettere il messaggio senza tempo del repertorio storico con standard tecnici contemporanei, mantenendo al contempo un profondo rispetto per il genere — dal primo al ultimo suono.
I nostri decenni di esperienza, le referenze internazionali e la dedizione professionale garantiscono che ogni esibizione riceva un trattamento sonoro adeguato. La nostra sensibilità per la musica classica e l'impegno inflessibile per la qualità ci rendono un partner affidabile per orchestre, direttori e organizzatori di eventi.
Delta Classic non offre solo il noleggio di attrezzature, ma fornisce soluzioni complete del suono per concerti sinfonici ed eventi teatrali — dalla progettazione alla registrazione finale. Il nostro team professionale utilizza le tecniche di microfonazioni più raffinate (es. sistema Schoeps Colette) e tecnologie wireless affidabili (Shure Axient), anche in condizioni estreme. Un'immagine di palchi puliti, estetica, e il comfort dei musicisti, sono per noi fondamentali — l'esperienza musicale inizia sul palco.
La conduzione del nostro profilo unico si basa su decenni di esperienza internazionale nella tecnologia degli eventi, che ci ha portato a una massima sensibilità professionale verso l'acustica e la musica classica.
Il nostro parco microfoni comprende centinaia di apparecchi di marchi premium (Neumann, Schoeps, DPA, Shure), in modo che ogni strumento possa essere catturato con la massima chiarezza e naturalezza. Le DI box Radial garantiscono una trasmissione del segnale senza distorsioni.
| Lavalier | |
| 4060 | Miniature Omnidirectional Microphone, Hi-sens, Core & Core+ |
| 4061 | Miniature Omnidirectional Microphone, Lo-sens, Core & Core+, MicroLock |
| 4080 | Cardioid Microphone, Normal SPL |
| 4160 | Slim Omnidirectional Microphone |
| 4161 | Slim Omnidirectional Microphone |
| 4660 | Heavy Duty Omnidirectional Microphone |
| 6061 | Subminiature Omnidirectional Microphone |
| DMM, SCM | Mount for Lavalier |
| Earset and Headset | |
| d:fine 66 | Dual-Ear Omnidirectional Headset Microphone, 110mm boom |
| d:fine 88 | Dual-Ear Directional Headset Microphone |
| 4488 | Directional Headset Microphone |
| 6066 | Subminiature Headset Microphone |
| Handheld | |
| d:facto II. 4018V | Vocal Microphone, Linear with High-End boost |
| d:facto II. 4018VL | Vocal Microphone, Linear |
| 2028 | Supercardioid Vocal Handheld Microphone |
| SL1 | Adapter for Shure, Letrosonics |
| SE2 | Adapter for Sennheiser 2000/9000/Evolution wireless |
| SE5 | Adapter for Sennheiser 5200 |
| Instrument | |
| 4055 | Open Cardioid Microphone for Kick Drum |
| 4099AC | Clip for Accordion |
| 4099BC | Clip for Double Bass |
| 4099CC | Clip for Cello |
| 4099CM | Clip for Music Stand |
| 4099DC | Clip for Drum |
| 4099GC | Clip for Guitar |
| 4099PC | Clip for Piano |
| 4099SM | Clip for Microphone Stand |
| 4099STC | Clip for Saxophone |
| 4099UC | Universal Clip |
| 4099VC | Clip for Violin |
| CORE 4099 | Supercardioid Condenser Microphone, Loud SPL, MicroLock |
| CORE 4099 ext | Supercardioid Condenser Microphone, Extreme SPL, MicroLock |
| MHS6005 | Lavalier Microphone Holder for String Instrument |
| Pencil | |
| 2006C | Twin Diaphragm Omnidirectional Microphone |
| 2011C | Twin Diaphragm Cardioid Microphone |
| 4006A | Omnidirectional Microphone |
| 4006C | Omnidirectional Microphone, Compact |
| 4007A | Omnidirectional Microphone, 12mm |
| 4007C | Omnidirectional Microphone, Compact, 12mm |
| 4011A | Cardioid Microphone |
| 4011C | Cardioid Microphone, Compact |
| 4015A | Wide Cardioid Microphone |
| 4015C | Wide Cardioid Microphone, Compact |
| 4041 SP | Large Daiphragm Microphone |
| 4090 | Omnidirectional Microphone |
| 4091 | Omnidirectional Condenser Microphone |
| MMP-F | Modular Active Boom |
| MMP-GR, GS | Modular Active Cable, Microdot |
| 4017B | Shotgun Microphone |
| Gooseneck | |
| 4098 | Supercardioid Tabletop microphone |
| DF-G-B01-030 | 32cm (13in) Boom, top and bottom Gooseneck, black, XLR |
| DF-G-B01-045 | 47cm (18in) Boom, top and bottom Gooseneck, black, XLR |
| GM 1500 | Gooseneck Mount for Pencil Microphones |
| GM 1600 | Gooseneck Mount for 4060 Series Lavalier Microphones |
| GSM 4000 | Gooseneck Shock Mount for Pencil Microphones |
| Immersive Audio | |
| 5100 | Mobile 5.1 Surround Microphone |
| Other | |
| BLM4060 | Boundary Layer Microphone |
| DAD6001 | MicroDot Adapter to 3-pin XLR Adapter, MicroLock |
| DAD4099 | MicroDot Adapter to 3-pin XLR Fixed 80 Hz LowCut Filter |
| DAD6010 | MicroDot Adapter to Shure, TOA, PGX1 & Line 6 Wireless Systems, MicroLock |
| DAD6034 | MicroDot Adapter to Sennheiser Evolution, X2 Digital Wireless, Audio Ltd. En2 TX Systems |
| DAD6003 | MicroDot Adapter to Sennheiser SK 50/250/3063/5012 |
| MMA_DIGITAL | Digital Audio Interface |
| Rycote | |
| 4061, 4080, 4099 | Mini Windjammer |
| WS-kits 1-2-3-4 | Modular Windshield kits |
| Schoeps Microphones | |
| Microphone Capsule | |
| MK2 | Microphone Capsule, Omnidirectional Pattern |
| MK2H | Microphone Capsule, Omnidirectional Pattern |
| MK2S | Microphone Capsule, Omnidirectional Pattern |
| MK21 | Microphone Capsule, Wide Cardioid Pattern |
| MK22 | Microphone Capsule, Open Cardioid Pattern |
| MK4 | Microphone Capsule, Cardioid Pattern |
| MK4V | Microphone Capsule, Cardioid Pattern, Vertical Collusion |
| MK41 | Microphone Capsule, Supercardioid Pattern |
| MK5 | Microphone Capsule, Omni and Cardioid Pattern |
| MK8 | Microphone Capsule, Figure 8 Pattern |
| CCM2 | Compact Microphone, Omnidirectional Pattern |
| CCM21 | Compact Microphone, Wide Cardioid Pattern |
| CCM22 | Compact Microphone, Open Cardioid Pattern |
| CCM4 | Compact Microphone, Cardioid Pattern |
| CCM41 | Compact Microphone, Supercardioid Pattern |
| CCM8 | Compact Microphone, Figure 8 Pattern |
| MSTC 64 U | ORTF Stereo Microphone |
| BLM 3 | Boundary Layer Capsule |
| V4 USM Set | Studio Vocal Microphone |
| SuperCMIT 2 U | Shotgun Microphone |
| CMIT 5 U | Shotgun Microphone |
| MiniCMIT | Miniature Shotgun Microphone |
| ORTF-3D | OUTDOOR SET Plug & Play Set For 3D Ambience |
| OCT-3D SET | Recording Technique for 9Ch Surround |
| Microphone amplifier | |
| CMC6Ug | Microphone Amplifier |
| CMD42 | Digital Microphone Amplifier for AES42 |
| Clamp & Suspension | |
| SG20 | Stand Clamp with Swivel |
| SGCM | Miniature Stand Mounts with Swivel |
| A20 | Elastic Suspensions with Swivel |
| A20 S | Strong Elastic Suspensions with Swivel |
| Active Extension Tube | |
| RC 350g | Active Extension Tube, 350mm |
| RC 700g | Active Extension Tube, 700mm |
| RC 1200g | Active Extension Tube, 1200mm |
| RC 1450g BOC | Active Extension Tube, 1200mm with special Andrea Bocelli |
| RG8 | Swivel Joint |
| RG88 | Double Version of the RG 8 Swivel |
| STA 1400 L3Ug | Stand with Internal Wiring and Gooseneck Element |
| RLG 350 Ug | Straight Extension Tube |
| RS, SRS 420 L5Ug | Flanged Mounting Adapter with Internal Shock |
| AF 1 | Mount |
| Vertical Support Rod | |
| STR 250g | Microphone Extension Rod, 250mm |
| STR 350g | Microphone Extension Rod, 350mm |
| STR 600g | Microphone Extension Rod, 600mm |
| STR 1000g | Microphone Extension Rod, 1000mm |
| Other | |
| BF 250 | Heavy Floor Stand |
| T5g | Heavy Table Stand |
| KC5G | Active Colette Cable |
| TCg | Miniature Table Stand |
| TC2g | Miniature Table Stand stereo of the TCg |
| TR L | Compact Table Stand for MK Capsules |
| TR KC | Compact Table Stand for CCM Capsules |
| GVC | Capsule Swivel |
| M 100 C | Miniature Stereo Mounting Bar |
| UMS 20 | Universal Stereo Bracket |
| MAB 1000 | A/B and OCT Stereo Mounting Bar |
| FA-1 | Adapter for Flute |
| GA-1 | Adapter for Guitar |
| SA-2 | Adapter for Saxophone |
| VA-1 | Adapter for Violin |
| VA-3 | Adapter for Cello |
| VA-4, VA-5 | Adapter for Double Bass |
| KA-40 | Sphere Attachment |
| Screen | |
| B1 | Simple Capsule Guard |
| B1D | Popscreen |
| B5 | Solid Foam Popscreen |
| B5D | Hollow Foam Popscreen |
| B55D | Hollow Foam Popscreen, Double Version of the B5D |
| W5D | Windscreen |
| W20R1 | Basket Frame with Synthetic Fur Cover |
| RYCOTE V4 full set | Modular Windshield |
| CYCLONE | Windshield, Small, Medium and Large |
| Other Microphones | |
| AEA | |
| R44CE | Ribbon Microphone |
| AKG | |
| C 414 XLS | Reference Multipattern Condenser Microphone |
| C 414 XLII | Reference Multipattern Condenser Microphone |
| C 451 B | Small-Diaphragm Condenser Microphone |
| C 411 PP | Condenser Pickup Microphone with XLR |
| Audio-Technica | |
| AT4050SM | Multi-pattern Condenser Microphone with windshield and shock mount |
| AT2010 | Cardioid Condenser Handheld Microphone |
| AT899cW-TH | Subminiature Omnidirectional Condenser Lavalier Microphone |
| ATM650 | Hypercardioid Dynamic Instrument Microphone |
| U851R | Cardioid Condenser Boundary Microphone |
| Audix | |
| D6 | Professional Dynamic Instrument Microphone |
| D4 | Professional Dynamic Instrument Microphone |
| D2 | Professional Dynamic Instrument Microphone |
| i5 | All-purpose Professional Dynamic Instrument Microphone |
| SCX25A | Premium Large Diaphragm Studio Condenser Microphone |
| Beyerdynamic | |
| M201 TG | Dynamic Hypercardioid Microphone |
| M88 TG | Dynamic Microphone With Hypercardioid Polar Pattern for Vocals, Bass Drum, and Studio |
| EARTHWORKS | |
| DM20 gen2 | Gooseneck Condenser Microphone Cardioid |
| DM6 | Condenser Supercardioid Microphone for Kick Drum |
| PM40 | Piano Microphone System |
| M30 | 30kHz Measurement Microphone |
| SR20LS | Bass Drum Microphone |
| SR25 gen2 | Condenser Microphone, Supercardioid |
| EV | |
| RE-20 | Dynamic Cardioid Microphone with windshield and mount |
| RE-27 | Broadcast Announcer Microphone windshield and mount |
| NEUMANN | |
| KMS 105 | Handheld Vocal Microphone |
| TLM 103 | Large Diaphragm Condenser Microphone |
| TLM 170 R | Reference Multipattern Condenser Microphone |
| U 89 | Studio Microphone, Omnidirectional, Cardioid and Figure-8 |
| KM 184 | Small diaphragm condenser microphone |
| REMIC | |
| RE7100 | Microphone for multi-instruments, Omnidirectional with mount Violin, Viola, Cello and Double Bass |
| RE7200 | Microphone for multi-instruments, Supercardioid with mount Violin, Viola, Cello and Double Bass |
| SANKEN | |
| CSS-5 | Stereo (Wide/Normal) Mono Switchable Shotgun Microphone |
| Sennheiser | |
| E904 | Dynamic Cardioid Microphone for drums and percussion |
| E906 | Super-Cardioid, Dynamic Instrument Microphone with switchable presence filter |
| E935 | Dynamic Cardioid Vocal Microphone |
| MD421 | Dynamic Cardioid Microphone |
| MD441 | Dynamic Super-Cardioid Microphone |
| SCHERTLER | |
| DYN-A | Pickup for Acoustic Instrument |
| DYN-B | Pickup for Double Bass |
| DYN-B P48 | Pickup for Double Bass |
| DYN-C P48 | Pickup for Cello |
| DYN-GP | Pickup for Grand Piano |
| DYN-H P48 | Pickup for Harp |
| SHURE | |
| BETA & SM | All members of the BETA & SM series |
| KSM 8 | Dualdyne Vocal Microphone |
| KSM 9 | Handheld Vocal Microphone |
| KSM 32 | Embossed Single-Diaphragm Microphone |
| KSM 44 | Multi-Pattern Dual-Diaphragm Microphone |
| KSM 137 | Instrument Microphone |
| KSM 141 | Dual-Pattern Instrument Microphone |
| KSM 313 NE | Dual-Voice Ribbon Microphone |
| Nexadyne 2 | Supercardioid Dynamic Kick Drum Microphone |
| Nexadyne 5 | Supercardioid Dynamic Guitar Amp Microphone |
| Nexadyne 6 | Supercardioid Dynamic Tom/Snare Microphone |
| SM7B | Dynamic Speaker and Recording Microphone |
| TL47 | TwinPlex Subminiature Lavalier Microphone, Low Sensitivity, Natural Sound |
| TL48 | TwinPlex Subminiature Lavalier Microphone, Low Sensitivity, Speech Tailored Sound |
| VP 88 | Stereo Condenser Microphone |
| WL-183 | Lavalier Condenser Microphone, Omnidirectional |
| WL-183M | Low-Profile Lavalier Microphone, Omnidirectional |
| WL-184 | Lavalier Condenser Microphone, Supercardioid |
| WL-184M | Low-Profile Lavalier Microphone, Supercardioid |
| WL-185 | Lavalier Condenser Microphone, Cardioid |
| WL-185M | Low-Profile Lavalier Microphone, Cardioid |
| MX-418 | Gooseneck Microphone |
| MX-412 | Gooseneck Microphone |
| Centraverse base | Microphone Base |
| Telefunken | |
| M82 | Dynamic large-diaphragm microphone |
| Yamahiko | |
| Piano model | High Quality Piano Pickup System For Professional Use |
| DI Box & Accessories | |
| BSS | |
| AR-133 | Active DI Box |
| INTERSPACE INDUSTRIES | |
| SPLIXLER | XLR Splitter |
| KLARK TECHNIK | |
| DN-100 | ACTIVE DI Box |
| DN-200 | Active Stereo DI Box |
| RADIAL | |
| BT-PRO | Bluetooth Direct Box |
| Catapult | 4-channel Cat 5 Audio Snake |
| Decoder | Mid/Side Matrix and Mic Preamp |
| Exo-pod | Broadcast Splitter |
| HotShot DM1 | Microphone Switcher |
| J33 | Turntable Direct Box |
| J48 | Phantom Powered Active Direct Box |
| J48 DUPLEX | Stereo Phantom Powered Active Direct Box |
| J48 STEREO | Stereo Phantom Powered Active Direct Box |
| JDI | Passive Direct Box |
| JDI DUPLEX | Stereo Direct Box |
| JDI STEREO | Stereo Passive Direct Box |
| JDV MK5 | Super Direct Box |
| JDX | Guitar Amp Direct Box |
| JPC | Computer Direct Box |
| JS 2 / JS 3 | Passive Microphone Splitter |
| McBoost | Microphone Signal Intensifier |
| Mpress | Broadcast Press Box |
| Phazer | Class-A Phase Adjuster |
| PROAV2 | Multimedia Passive Direct Box |
| PRO-DI | Passive Direct Box |
| PZ-DI | Orchestral Instrument Direct Box |
| REAMP | Reamp JCR Studio Reamper |
| TRIM TWO | Stereo DI with Level Control |
| USB-PRO | Stereo USB Laptop Direct Box |
| RUPERT NEVE DESIGN | |
| RNDI | Active Transformer Direct Interface |
| ROLLS | |
| MM11 Pro | Switchable Mic Mute/Talk Professional Microphone Switch |
| MS111 | Mic Mute Switch |
I nostri accessori analogici e digitali — Bricasti, Lexicon, Avalon, Waves e SPL — rappresentano i più alti standard. Il nostro obiettivo è che ogni suono venga riprodotto con la precisione che si addice alla sensibilità della musica classica.
Mixer & Accessories
| Allen & Heath |
| S7000 — Control Surface, 2x 12″ Touchscreens, 36 Fader / 6 Layers, gigaACE, DX link |
| C1500 — Control Surface, 12″ Touchscreen. 12 Faders / 6 Layers, gigaACE, DX link |
| DM64 — 64 inputs 32 output, 3 I/O port, Redundant S-Link, DX, PSU |
| DM32 — 32 inputs 16 output, 3 I/O port, Redundant S-Link, DX, PSU |
| SQ-5 — 48-Channel Digital Mixer, With 96 kHz FPGA processing, 17 Faders / 6 Layers |
| DX168 — 16 Mic / line inputs, 8 XLR outputs |
| AVID |
| S6L-24D — Surface 24+2 Faders, 1 Master, 2 Channel Touch Modules |
| S6L-32D — Surface 32+2 Faders, 1 Master, 3 Channel Touch Modules |
| E6L-144 — 144 input, 64 + LCR Mix Bus, 16×16 Matrix, 48 VCA, 400 Plugin slot, AVB, MADI, WAVES Card with Opticalcon |
| E6L-192 — 192 input, 96 + LCR Mix Bus, 24×24 Matrix, 48 VCA, 400 Plugin slot, AVB, MADI, WAVES Card with Opticalcon |
| STAGE 16 — 16 input, 8 output, 4 AES3 output |
| STAGE 32 — Total 32ch input/output, 4 I/O card slot |
| STAGE 48 — 48 input, 24 output |
| STAGE 64 — 64 input, 32 output, 12 I/O card slot |
| Opticalcon — Fiber Optic cables with Opticalcon connectors 200m |
| DiGiCo |
| SD12 96 — 96 input, 48 Aux / Sub Group Busses, DMI-WAVES with HMA Optocore |
| SD12T — 96 input, 48 Aux / Sub Group Busses, Theatre upgrade and DMI-WAVES with HMA Optocore |
| Quantum 225 — 72 input, 36 Aux / Sub Group Busses, Waves / Fourier integration with HMA Optocore |
| Quantum 225 Pulse — 96 input, 48 Aux / Sub Group Busses, Pulse upgrade and Waves / Fourier integration with HMA Optocore |
| Quantum 338 — 128 input, 64 Aux / Sub Group Busses, Waves / Fourier integration with HMA Optocore |
| Quantum 338 Pulse — 156 input, 72 Aux / Sub Group Busses, Pulse upgrade and Waves / Fourier integration with HMA Optocore |
| Quantum 338 T — 156 input, 72 Aux / Sub Group Busses, Theatre upgrade and Waves / Fourier integration with HMA Optocore |
| Quantum 7 — 256 input, 128 Aux / Sub Group Busses, Broadcast and Theatre upgrade and Waves integration with HMA Optocore |
| Quantum 852 — 384 input, 192 Aux / Sub Group Busses, Broadcast and Theatre upgrade and Waves / Fourier integration with HMA Optocore |
| SD-Rack — 56in/56out, 14 card module slot with HMA Optocore |
| SD-MiNi Rack — 4 card slot with HMA Optocore |
| SD-Nano Rack — 2 card slot with HMA Optocore |
| SD I/O Cards — 32-Bit Mic Pre-Amp, 32-Bit DAC output, 192 kHz Analog output, AES42 digital input, AES/EBU input, AES/EBU output, AES/EBU Input/Output card, HD-SDI card |
| Orange Box — 2 I/O DiGiCo Multichannel Interface (DMI) card slot |
| DMI Card — DMI-MADI-B, DMI-AES, DMI-ADC, DMI-DAC, DMI-WAVES, DMI-ME, DMI-OPTO, DMI-MIC, DMI-KLANG, DMI-DANTE64@96, DMI-AVB |
| 4REA4 + ACONTROL8 — Processing Engine, 128 input, 56 output, 3 SD Card slot, 4 DMI Card slot, programmable remote control |
| FiberFox — Optic cables with HMA connectors 5, 150, 200, 300m, Madi coax cables (BNC) 5, 100m |
| AMS-NEVE |
| 1073DPA — Essential Studio Preamp, two Class A Neve 1073 microphone preamplifiers |
| 33609/N — Discrete Precision Stereo Limiter/Compressor, exclusive Marinair specification transformers |
| 8801 — Complete channel strip, iconic Neve mic preamp, powerful EQ and incredible 88R dynamics processor |
| ANTELOPE AUDIO |
| 10MX — Rubidium Atomic Clock |
| OCX-HD — 768 kHz HD Master Clock |
| API |
| 2500+ — Legacy Stereo Bus Compressor with blend function |
| APPSYS |
| MVR-mkII — Multiverter with SRC module Digital Audio Converter, 11×11 interfaces conversion |
| AVALON DESIGN |
| U5 — Mono Instrument & DI Preamplifier |
| 737SP — Opto-Compressor, Sweep Equalizer, Output Level and VU Metering |
| 747SP — Class A, Vacuum Tube-Discrete Twin Signal Path Opto-Compressor-Equalizer |
| BETTERMAKER |
| Mastering Limiter 2.0 — Stereo Limiter |
| BRICASTI DESIGN |
| M7 — Stereo Reverb Processor |
| M10 — Reverb Remote Console |
| BSS AUDIO |
| DPR-402 — Dual Compressor/De-Esser/Limiter |
| DPR-901 II — Dynamic Equalizer |
| DAD |
| AX64 — Multi-Format Audio A/D, D/A, D/D Converter, 1744 Input and Output Channels |
| DAD Core 256 — Multi-Format Digital Audio Interface, 256 channels at 48 & 96 kHz ASIO/Core Audio with Thunderbolt |
| DBX |
| 120A — Subharmonic Synthesizer |
| 160A — Compressor / Limiter |
| 160SL — Dual Compressor Limiter |
| 162SL — Purple Series Stereo Compressor/Limiter with AutoVelocity |
| DIRECTOUT |
| MAVEN.A — Smart audio platform with modular IOs and signal processing |
| PRODIGY.MX — Multiformat audio matrix with 1664 x 1664 audio channels |
| EMPIRICAL LABS |
| EL8X — Distressor Digitally Controlled Analog Knee Compression |
| EL7XFATSO — 2-channel Analog Tape Simulator and Compressor |
| EVENTIDE |
| REVERB 2016 — Reverb that recreates the legendary reverb algorithms of Eventide’s SP2016 |
| ECLIPSE — Harmonizer Effects Processor |
| H9000 — Powerful Multi-FX Processor |
| FOURIER |
| transform.engine — Dante-connected studio-grade audio software plugins to productions and broadcasts |
| LEXICON |
| 960L + LARC2 — Configurable Stereo/Surround Reverb Processor and Flying Fader Remote |
| PCM96 Surround — Digital Parallel Stereo and Surround Reverb/Effects Processor with Analog & Digital I/O |
| Manley |
| Stereo Variable MU — Stereo Variable Limiter Compressor |
| VOXBOX — Reference Channel Strip |
| MERGING AUDIO |
| ANUBIS — Audio interface and monitor controller with multiple workflows |
| HAPI — Network audio interface, 2 card slot, RAVENNA/AES67, DXD and DSD64/128/256 Sample rate support |
| HORUS — Network audio interface, 6 card slot, RAVENNA/AES67, DXD and DSD64/128/256 Sample rate support |
| RME |
| DIGIface AVB — 256 Channel 192 kHz USB 3.0 Audio interface |
| FIREface UCX — 18 Input / 18 Output channels, USB & FireWire Audio Interface |
| MADIface XT — 394 Channel 192 kHz USB 3.0 Audio Interface |
| MADIface USB — 64 Channel 96 kHz USB 2.0 Audio Interface |
| RUPERT NEVE DESIGN |
| 5045 — Primary Source Enhancer |
| 5059 Satellite — Active 16×2+2 Summing Mixer, Silk and Silk+ |
| Master Bus Converter — Dual Path A-D Converter & Limiter |
| Master Bus Processor — Master Bus Processor Ultimate Dynamics, Tone and Stereo Field Control |
| Master Bus Transformer — Analog Stereo Master Processor, Shelf EQ, Color Comp, Super Silk |
| RMP-D8 — 8-Channel Dante Mic Preamp + Mastering-Grade Converter |
| Shelford Channel — Channel strip with transformer gain preamp, DI, inductor EQ and diode bridge compressor |
| Shelford Diode Bridge — 2-Channel Diode Bridge Compressor |
| Smart Research |
| C2 — Dual/Stereo Compressor |
| SONIC FARM |
| Creamliner III — Dual Pentode Preamplifier, Class-A Tube Saturator |
| Sonifex |
| RB-DA6 — 6 way Stereo Analog Distribution Amplifier |
| RB-DDA6A — 6 way AES/EBU Distribution Amplifier |
| RB-SC1 — Digital Audio, sample rate converter, 32-44.1-48-96 kHz, AES/EBU, S/PDIF |
| Solid State Logic |
| BUS+ — Analog Stereo / Dual mono / MS Bus Compressor |
| FUSION — Analog Stereo Master Processor |
| MADI Optic-Coax — Handy in-line converter between Optical and Coaxial MADI |
| SPL |
| Channel One mk3 — One Channel strip with Tube Saturation, De-Esser, Transient Designer, Compressor and EQ |
| Tube Vitalizer — Mastering Program Equalizer |
| Transient Designer 4 — 4 Channel Dynamic Effect Processor |
| TwinTube — Tube Saturation & Tube Harmonics Processor |
| TC-ELECTRONICS |
| TC 2290 — Dynamics Digital Delay |
| TC MUSIC 6000 MKII — Multi Channel Reverb Processor with TC ICON mkII remote |
| TC M3000 — Studio Reverb Processor |
| TC REVERB 4000 — Stereo Reverb Processor |
| TUBE-TECH |
| CL 1B — Opto Compressor |
| LCA 2B — Dual Channel Tube VCA Compressor |
| SMC 2B — Multiband Opto Compressor |
| Universal Audio |
| UAD-2 Live Rack — Realtime MADI Effects Processor |
| XTA |
| DS 8000 — Audio Distribution System, 8 Input to 32 Output |
| MX36 — Audio Routing Matrix Switches, 36 input, AES and Dante network |
| WAVES |
| DiGiGrid MGB — MADI-to-SoundGrid interface with Coaxial BNC |
| DiGiGrid MGO — MADI-to-SoundGrid interface with Optical |
| AVID S6L — Waves SoundGrid Option Card |
| MaxxBCL — Three Powerful Processors in One Unit, Compression, Bass augmentation and Level maximization |
| Extreme-C SG Server — Powerful, compact DSP unit runs hundreds of plugin in real time |
| Titan SG Server — Waves most powerful server runs more plugins in real time |
La trasmissione del segnale è garantita da sistemi cablati selezionati con cura (Van Damme) e da soluzioni wireless digitali affidabili (Shure). La loro stabilità e presenza discreta sono essenziali per performance senza interruzioni.
Wireless Microphones System
| AXIENT DIGITAL |
| AD 1 — Bodypack Transmitter |
| ADX 1 — Bodypack Transmitter with ShowLink |
| ADX 1M — Bodypack Transmitter Miniature with ShowLink |
| AD 2 — Handheld Wireless Microphone Transmitter |
| ADX 2 — Handheld Frequency Diversity Transmitter with ShowLink |
| ADX2FD — Handheld Dual Frequency Diversity Transmitter with ShowLink |
| AD 3 — Plug-On Wireless Transmitter |
| ADX 3 — Digital Plug-On Transmitter with ShowLink |
| ADX5D — Dual-Channel Portable Wireless Receiver |
| AD4D — Dual-Channel Digital Wireless Receiver |
| AD4Q — Four-Channel Digital Wireless Receiver |
| AD 610 — Diversity ShowLink Access Point |
| SBRC — Rackmount Charging Station for SB900, SB910, SB910m, SB920 |
| WWB 7 — Wireless Workbench Software |
| WAVETOOL — Audio Monitoring & Listening Software |
| ANTENNA SYSTEM |
| AXT 630 — Antenna Distribution System |
| AXT 644 — Directional antenna 2.4 GHz |
| UA 845 SWB — Active Antenna Splitter |
| UA 845 UWB — Ultra Wide Band Antenna Distribution System |
| HA 4540 — Tour Series Helical Antenna |
| HA 8089 — Helical Antenna |
| HA 8091 — Domed Helical Antenna |
| UA 860 SWB — Passive Omnidirectional Antenna |
| UA 874 — Active Directional Antenna |
| PA805DB-RSMA — Passive Dual Band Directional Antenna |
| PSW AlphaQuad-8 — 8 Antenna Distribution (Quadvesity) |
| RF Venue 4 ZONE — Multi Zone Antenna Combiner |
| RF Venue DFIN — Diversity Fin® Passive Two Antennas in One |
| MFL — Wideband Optical Link |
| BFLT1-BFLR1 — Portable RF over Fiber Unit |
| MPA4 — 4 Channel RF Power Amplifier |
| Frequency management |
| AD 600 — Axient Digital Spectrum Manager |
| AXT 600 — Axient Spectrum Manager |
| ACCESSORIES |
| AD 651B — Talk Switch for ADX2/ADX2FD |
| WA 580 — Cloth Pouch for all Shure beltpacks |
| UAMS/BK — Modular Mute Switch |
| Adapter Cables — WA302/WA304/WA305/WA309/WA310 |
| WA661/WA662 — In-Line Bodypack Mute Switch |
| WISYCOM |
| MTB40S-UN — Plug-On Transmitter |
| MCR54 — 4 Channels Multiband True Diversity Receiver |
| MCR54-DUAL — Dual True Diversity Wireless Microphone Receiver |
| MPR52-ENG — Two Channel Ultra-Wideband Receiver |
Personal Monitor System
| AXIENT DIGITAL PSM |
| ADTD — Personal Monitor System, Axient® Digital PSM Wireless Dual Transmitter |
| ADTQ — Personal Monitor System, Axient® Digital PSM Wireless Quad Transmitter |
| ADXR — Axient® Digital PSM Wireless Bodypack Receiver |
| AD8C — Axient® Digital PSM 8-Port Antenna Combiner |
| AD221 — Axient® Digital PSM 2-Way Passive Combiner/Splitter |
| PSM 1000 |
| P10T — Personal Monitor System, Dual Channel Wireless Transmitter |
| P10R — Wireless Diversity Bodypack Receiver |
| PSM 900 |
| P9T — Wireless Transmitter |
| P9RA — Rechargeable Wireless Bodypack Receiver |
| Wired |
| P9HW — Wired Bodypack Personal Monitor |
| KLANG:technologies |
| :konductor — 16 immersive In-Ear mixes, 128 inputs channels |
| :DMI-klang — 16 immersive In-Ear mixes, 64 inputs channels |
| :kontroller — Personal controller |
| Phonak |
| Roger system — Miniature in-ear monitor system |
| EARPHONES |
| SE 112 — Professional Sound Isolating Ear Monitor |
| SE 425 — Professional Sound Isolating Ear Monitor Dual Driver |
| SE 535 — Professional Sound Isolating Ear Monitor Triple Driver |
| SE 846 — Professional Sound Isolating Ear Monitor Quad Driver |
| E3 — Professional Sound Isolating Ear Monitor |
| E4 — Professional Sound Isolating Ear Monitor |
| LA Contour XO — Ear Monitor with Jerry Harvey Audio Triple Driver |
| ANTENNA SYSTEM |
| PA 821 — Antenna Combiners |
| HA 4540 — Tour Series Helical Antenna |
| HA 8089 — Helical Antenna |
| HA 8091 — Domed Helical Antenna |
| PA 805 — Directional Antenna |
| RF Venue CP — CP Stage Antenna Circular Polarization |
| Wisycom CSI16T — Smart Passive Wideband Combiner / 16:1 / 2x 8:1 / 4x 4:1 |
| ACCESSORIES |
| PA301 — Water-Resistant Cover for P9RA and P10R |
Wireless Capsules
| EARTHWORKS AUDIO |
| SR3117 — Condenser Capsule, for Shure Wireless System |
| NEUMANN |
| KK 105 — Ambient Adapter Capsule of the KMS Vocal Microphone, for Shure Wireless System |
| SE Electronics |
| V7 MC1 — Wireless Capsule, for Shure Wireless System |
| SHURE |
| RPW 112 — Capsule of the SM58 Microphone, for Shure Wireless System |
| RPW 118 — Capsule of the Beta58A Microphone, for Shure Wireless System |
| RPW 120 — Capsule of the Beta87A Microphone, for Shure Wireless System |
| RPW 124 — Capsule of the VP68 Microphone, for Shure Wireless System |
| RPW 174 — Capsule of the KSM8 Microphone, for Shure Wireless System |
| RPW 182 — Capsule of the KSM9/HS Microphone, for Shure Wireless System |
| RPW 184 — Capsule of the KSM9 Microphone, for Shure Wireless System |
| RPW 192 — Capsule of the KSM11 Microphone, for Shure Wireless System |
| RPW 200 8/C — Capsule of the Nexadyne Cardioid Microphone, for Shure Wireless System |
| RPW 204 8/S — Capsule of the Nexadyne Supercardioid Microphone, for Shure Wireless System |
| Telefunken |
| M81-WH — Wireless capsule head, for Shure Wireless System |
Monitor
| GENELEC |
| 8010A — Studio Monitor (Woofer 3” + Tweeter 3/4” metal dome + DCW™) |
| 8040B — Studio Monitor (Woofer 6 1/2” + Tweeter 3/4” metal dome + DCW™) with 8040 Stand Plate Iso-Pod |
| 8351SAM™ — Studio Monitor (2x Oval Woofers 8 1/2 x 4” + Coaxial Midrange/Tweeter MDC™ 5 / 3/4” + DCW™) |
| L-ACOUSTICS |
| LA4X — 4 x 1000 W Amplified controller (Milan-AVB, AES/EBU, Analog) |
| LA12X — 4 x 3300 W Amplified controller (Milan-AVB, AES/EBU, Analog) |
| 5XT — Passive 2-way coaxial enclosure (5” + 1”) |
| X8 — Passive 2-way coaxial enclosure (8” + 1,75”) |
| X12 — Passive 2-way coaxial enclosure (12” + 3”) |
| X15 HiQ — Bi-Amp 2-way coaxial enclosure (15” + 3”) |
| Accessories — ETR-5 U, X-BAR, X-UL8, X-UL12, X-UL15, X-US8, X-US1215, X-UTILT, CLAMP250, EMBi |
| MACKIE |
| SRM150 — Shoutbox |
| MEYER SOUND |
| UM-1P — Ultra Stage Narrow Coverage Stage Monitor (12” + 3”) |
| AMIE — Precision Studio Monitor (6,5” + 1”) |
| PMC |
| result6 — Precision Studio Monitor (6,5” + Soft Dome) with ATL™ |
| twotwo.6 — Precision Studio Monitor (6,5” + Soft Dome) with ATL™ |
| twotwo.8 — Precision Studio Monitor (8” + Soft Dome) with ATL™ |
Per un suono di qualità da studio utilizziamo plugin e attrezzature complementari di alto livello. Le soluzioni professionali supportano risultati sonori senza compromessi in ogni dettaglio.
| Plugins | |
| EMPIRICAL LABS | |
| Arousor | Classic Knee Compressor |
| BIG FrEQ | Equalizer |
| FabFilter / Total Bundle | |
| Pro-Q3 | Equaliser |
| Pro-R2 | Reverb |
| Pro-L2 | Limiter |
| Pro-C2 | Compressor |
| Pro-MB | Multiband Compressor |
| Pro-DS | DeEsser |
| Pro-G | Gate/Expander |
| Saturn 2 | Distortion/Saturation |
| Timeless 3 | Delay |
| Volcano 3 | Filter |
| Twin 3 | Synthesizer |
| One | Synthesizer |
| Simplon | Filter |
| Micro | Filter |
| FLUX / Full Pack Bundle | |
| Alchemist | Dynamics |
| Epure | Equaliser |
| Solera | Compressor |
| Pure Compressor | Compressor |
| Pure DCompressor | DeCompressor |
| Pure Expander | Expander |
| Pure DExpander | DeExpander |
| Pure Limiter | Limiter |
| Syrah | Compressor |
| Bittersweet Pro | Transient Editing |
| Elixir | True Peak Limiter |
| IRCAM-Verb | Reverb |
| IRCAM Hear | Binaural Encoding |
| Pure Analyzer Essential | Real-Time Spectrum Analyser |
| EVO.CHANNEL | Channel Strip |
| EVO.IN | Phase Correction |
| EVO.EQ | Equaliser |
| EVO.COMP | Compressor |
| EVO.TOUCH | DeEsser, Expander, Transient and Sustain Designer |
| SPAT Revolution | Spatial Audio |
| Liquid Sonic | Ultimate Bundle |
| Seventh Heaven Pro | Bricasti M7 Simulator |
| Lustrous Plates | Plate Reverb |
| Illusion | Reverb |
| Cinematic Room Pro | Surround Room Reverb |
| Reverberate3 | Modulated True-Stereo Convolution Reverb |
| MCDSP | |
| Live Pack II. | Ch Strips, Equalizers, Compressors, Multi-Band & Limiters, Noise Reduction, Reverb & Delay |
| Everything Pack | Ch Strips, Equalizers, Compressors, Multi-Band & Limiters, Noise Reduction, Reverb & Delay |
| NUGEN AUDIO | |
| Loudness Bundle | ISL True Peak Limiter, LM-Correct Loudness Quick-Fix, VisLM Loudness Meter |
| Producer Bundle | ISL 2st, Master Check Pro, Mono-Filter, SEQ-ST, Stereoizer, Stereplacer, Visualizer |
| PLUGIN ALLIANCE | |
| AAX Venue DSP | Dynamics, Equalizers, Consoles & Channel Strips, Color, Reverb & FX, Mix Trix, Guitar & Bass |
| UNIVERSAL AUDIO | |
| Ultimate Bundle | 215 plug-ins with UA, Auto-Tune, Neve, SSL, API, Marshall, Fender, Lexicon, Ampex, Hellos |
| Live Rack | Realtime UAD DSP Server |
| SOFTUBE | |
| Summit Audio Grand Channel | Grand Channel, EQF-100, TLA-100A, Grand Channel for Console 1 |
| Tube-Tech Complete Collection | Tube Tech Blue Tone, SMC 2B, CL1B, Equalizers, Classic Channel, PE 1C, ME 1B |
| SONNOX | |
| Elite Bundle | Ultimate Oxford Plugins Collection, TransMod, Dynamics, EQ, Inflator, Limiter, Reverb, SuprEsser |
| Live Bundle | TransMod, Dynamics, EQ, Inflator, Reverb, SuprEsser DS for AVID Live Console |
| TC- ELECTRONIC | |
| TC 2290-DT | Legendary Dynamics Delay with Dedicated Desktop Interface |
| Studio Elite Collection | 20 plug-ins the legendary TC Electronic System 6000, TC legacy catalogue and Midas Console |
| Valhalla | |
| Delay | Classic and Modern Delay and Echo |
| VintageVerb | Classic Digital Reverb |
| Room | True Stereo Algorithmic Reverb |
| Plate | Classic Plate Reverb |
| Shimmer | Algorithmics Reverb Designed for BIG Sound |
| UberMod | Unique Multitap Delay and Modulation |
| Space Modulator | Modulator |
| Freq Echo | Bode-Style Frequency Shifter + Analog Echo Emulation |
| Super Massive | Massive Reverbs, Harmonic Echoes, Space Sound |
| WAVES | |
| Abbey Road Collection | Precise models of Abbey Road Studios’ legendary analog gear |
| Mercury Bundle | Over 195 plugins for music production, mixing, and mastering |
| SSL 4000 Collection | Classic SSL console plugin |
| Dugan Automixer + Dugan Speech | Automatic real-time gain control for up to 64 mics |
| SuperRack | Customizable software rack for live processing with plugins |
| SuperRack Performer | Run Waves + any VST3 plugins in your live shows, natively on Mac & PC |
| FourierAudio | |
| transform.suite25 | 70+ plugins, 10 world-class brands. exclusively for transform.engine |
| AVID | |
| ProTools | DAW Software |
| Audioström | |
| LiveProfessor | Portable and flexible effect rack using VST or AU plugins |
| CraneSong | |
| Phoenix II | Tape Emulation |
| DAD | |
| DADman | Control Software of the DAD AD/DA converters |
| Eventide | |
| Anthology XII | 33 plugins designed to enhance, morph, mangle, pitch shift, re-shape |
| Merging Technologies | |
| Pyramix | DAW Software |
| Native Instrument / iZotope Everything | |
| Ozone 11 Advanced, Nectar 4 Advanced, RX 11 Advanced, VEA, Trash & more | |
| Oeksound | |
| Soothe2 | Equalizer |
| SSL / SSL Complete | |
| SSL and Slate Digital, Harrison Audio’s plug-ins | |
| Dada Life | |
| Sasuage Fattener | Dynamics, Distortion, Compressor, Saturator |
| Steven Slate Drums | |
| Trigger 2 Platinum | Industry-Standard Drum Replacement |
| CableGuys | |
| Kickstart | Sidechain Compressor |
| ReFX | |
| NExus 2 | Next generation ROM Synthesizer |
| KV331 Audio | |
| Syntmaster | Wavetable Synthesizer |
| Sugar Bytes | |
| Effectrix | Professional Multi-Effect Sequencer |
| X-fer Records | |
| LFO Tool | Powerful LFO Shaping |
| Serum | Advanced Wavetable Synthesizer |
| Cytomic | |
| The Glue | Analog Modelled Compressor |
| Sample Magic | |
| MagicAB | Referencing Tool |
| Others | |
| VAN-DAMME | |
| TourLight | Optic Cables Systems with Boxes (for Audio and Video) |
| TourGrade | Complete Van-Damme Stagebox System |
| TourCat | Complete CAT5e, CAT6a System |
| BELDEN | |
| Complete Antenna and CAT5e System | |
| Microphone stands | |
| KM 25950 | Short Microphone Stand – Height: 305mm, boom length: 425/725 mm |
| KM 25200 | Microphone Stand – 3-piece metal telescopic shaft, non-marring height-adjustment mechanism (620-1470mm), includes boom arm (490-795mm) |
| KM 21021 | Overhead Microphone Stand – extra high stand with long boom and wide feet, height: 1120-2010mm boom length: 1065mm |
| KM 21430 | Heavy Overhead microphone stand |
| KM 233 | Table- /Floor microphone stand |
| KM 260 | Round base microphone stand |
| KM 235,236,237 | Accessories |
| Speaker stands | |
| Gravity LS 331 B | Speaker stand |
| Gravity SAT 36 B | Adjustable T-Bar for Speaker Stands |
| KM 21467 | Speaker stand |
| KM 26750 | Round Base speaker stand |
| Stage Accessories | |
| Manhasset Voyager Modell 52 | Tour Musician Stand |
| Modell 54 | Conductor’s Stand |
| Modell 51 | Specialty Music Stand |
| Modell 1060 | Musician Stand LED lighting |
| Bergerault BCFN | Conductor’s Podium |
| Starville | Conductor’s Podium |
| Clearsonic MegPac | Portable Isolation Booth for Drums |
| Clearsonic IsoPac | Portable Isolation Booth for Drums |
| Manfrotto | Super Clamp, Single-arm, Magic arm |
| Optogate PB-05 M | Vocal Mute Automatic Mic Mute Switch |
| Rycote | Windshield solution for several variation |
| Network | |
| Cisco | SG switch series |
| Luminex | Gigacore switch series |
| Netgear | M4250 switch series |
| IT | |
| APC | Smart-UPS series |
| Dell | Optiplex series |
| Apple | Mac mini series |
| Iiyama | Touch series |
| Ergotron | LX series |
| Furman | PL-PRO series |
