A Delta Classic egyedülálló módon a klasszikus zenei produkciók hangtechnikai igényeire specializálódott. Teljes körű szolgáltatásként – legyen szó nagyzenekari koncertről, televíziós műsorról vagy nemzetközi rendezvényről – a legmodernebb technológiával biztosítjuk a hangosítást, hangtovábbítást és hangrögzítést.
Célunk, hogy a történelmi zene időtlen üzenetét a jelen technikai színvonalán, mégis a műfaj iránti mély tisztelettel közvetítsük – az első hangtól az utolsóig.
Több évtizedes tapasztalatunk, nemzetközi referenciáink és szakmai elhivatottságunk garantálja, hogy minden előadás méltó hangzást kapjon. A klasszikus zene iránti érzékenységünk és a kompromisszummentes minőség iránti elkötelezettségünk tesz minket valódi partnerré minden zenekar, karmester és rendezvényszervező számára.
A Delta Classic nem csupán eszközbérlést kínál, hanem teljes körű hangtechnikai megoldásokat szimfonikus koncertekhez és színházi eseményekhez – a tervezéstől a kész felvételig. Profi csapatunk a legkifinomultabb mikrofonozási technikákkal (pl. Schoeps Colette rendszer) és megbízható vezetéknélküli technológiával (Shure Axient) dolgozik, akár extrém körülmények között is. A letisztult, esztétikus színpadkép és a zenészek komfortérzete számunkra kulcsfontosságú – hisz a zene élménye a színpadon kezdődik.
Egyedi profilunk működtetéséhez több tízéves nemzetközi rendezvénytechnikai tapasztalat egyben az akusztikus és klasszikus zenéhez fűződő maximális szakmai érzékenység vezetett.
Mikrofonparkunk több száz prémium márkájú (Neumann, Schoeps, DPA, Shure) eszközből áll, hogy minden hangszert a lehető legtisztábban és legtermészetesebben rögzíthessünk. A Radial di-box-ok biztosítják a jelátvitel torzításmentes tisztaságát.
| Lavalier | |
| 4060 | Miniature Omnidirectional Microphone, Hi-sens, Core & Core+ |
| 4061 | Miniature Omnidirectional Microphone, Lo-sens, Core & Core+, MicroLock |
| 4080 | Cardioid Microphone, Normal SPL |
| 4160 | Slim Omnidirectional Microphone |
| 4161 | Slim Omnidirectional Microphone |
| 4660 | Heavy Duty Omnidirectional Microphone |
| 6061 | Subminiature Omnidirectional Microphone |
| DMM, SCM | Mount for Lavalier |
| Earset and Headset | |
| d:fine 66 | Dual-Ear Omnidirectional Headset Microphone, 110mm boom |
| d:fine 88 | Dual-Ear Directional Headset Microphone |
| 4488 | Directional Headset Microphone |
| 6066 | Subminiature Headset Microphone |
| Handheld | |
| d:facto II. 4018V | Vocal Microphone, Linear with High-End boost |
| d:facto II. 4018VL | Vocal Microphone, Linear |
| 2028 | Supercardioid Vocal Handheld Microphone |
| SL1 | Adapter for Shure, Letrosonics |
| SE2 | Adapter for Sennheiser 2000/9000/Evolution wireless |
| SE5 | Adapter for Sennheiser 5200 |
| Instrument | |
| 4055 | Open Cardioid Microphone for Kick Drum |
| 4099AC | Clip for Accordion |
| 4099BC | Clip for Double Bass |
| 4099CC | Clip for Cello |
| 4099CM | Clip for Music Stand |
| 4099DC | Clip for Drum |
| 4099GC | Clip for Guitar |
| 4099PC | Clip for Piano |
| 4099SM | Clip for Microphone Stand |
| 4099STC | Clip for Saxophone |
| 4099UC | Universal Clip |
| 4099VC | Clip for Violin |
| CORE 4099 | Supercardioid Condenser Microphone, Loud SPL, MicroLock |
| CORE 4099 ext | Supercardioid Condenser Microphone, Extreme SPL, MicroLock |
| MHS6005 | Lavalier Microphone Holder for String Instrument |
| Pencil | |
| 2006C | Twin Diaphragm Omnidirectional Microphone |
| 2011C | Twin Diaphragm Cardioid Microphone |
| 4006A | Omnidirectional Microphone |
| 4006C | Omnidirectional Microphone, Compact |
| 4007A | Omnidirectional Microphone, 12mm |
| 4007C | Omnidirectional Microphone, Compact, 12mm |
| 4011A | Cardioid Microphone |
| 4011C | Cardioid Microphone, Compact |
| 4015A | Wide Cardioid Microphone |
| 4015C | Wide Cardioid Microphone, Compact |
| 4041 SP | Large Daiphragm Microphone |
| 4090 | Omnidirectional Microphone |
| 4091 | Omnidirectional Condenser Microphone |
| MMP-F | Modular Active Boom |
| MMP-GR, GS | Modular Active Cable, Microdot |
| 4017B | Shotgun Microphone |
| Gooseneck | |
| 4098 | Supercardioid Tabletop microphone |
| DF-G-B01-030 | 32cm (13in) Boom, top and bottom Gooseneck, black, XLR |
| DF-G-B01-045 | 47cm (18in) Boom, top and bottom Gooseneck, black, XLR |
| GM 1500 | Gooseneck Mount for Pencil Microphones |
| GM 1600 | Gooseneck Mount for 4060 Series Lavalier Microphones |
| GSM 4000 | Gooseneck Shock Mount for Pencil Microphones |
| Immersive Audio | |
| 5100 | Mobile 5.1 Surround Microphone |
| Other | |
| BLM4060 | Boundary Layer Microphone |
| DAD6001 | MicroDot Adapter to 3-pin XLR Adapter, MicroLock |
| DAD4099 | MicroDot Adapter to 3-pin XLR Fixed 80 Hz LowCut Filter |
| DAD6010 | MicroDot Adapter to Shure, TOA, PGX1 & Line 6 Wireless Systems, MicroLock |
| DAD6034 | MicroDot Adapter to Sennheiser Evolution, X2 Digital Wireless, Audio Ltd. En2 TX Systems |
| DAD6003 | MicroDot Adapter to Sennheiser SK 50/250/3063/5012 |
| MMA_DIGITAL | Digital Audio Interface |
| Rycote | |
| 4061, 4080, 4099 | Mini Windjammer |
| WS-kits 1-2-3-4 | Modular Windshield kits |
| Schoeps Microphones | |
| Microphone Capsule | |
| MK2 | Microphone Capsule, Omnidirectional Pattern |
| MK2H | Microphone Capsule, Omnidirectional Pattern |
| MK2S | Microphone Capsule, Omnidirectional Pattern |
| MK21 | Microphone Capsule, Wide Cardioid Pattern |
| MK22 | Microphone Capsule, Open Cardioid Pattern |
| MK4 | Microphone Capsule, Cardioid Pattern |
| MK4V | Microphone Capsule, Cardioid Pattern, Vertical Collusion |
| MK41 | Microphone Capsule, Supercardioid Pattern |
| MK5 | Microphone Capsule, Omni and Cardioid Pattern |
| MK8 | Microphone Capsule, Figure 8 Pattern |
| CCM2 | Compact Microphone, Omnidirectional Pattern |
| CCM21 | Compact Microphone, Wide Cardioid Pattern |
| CCM22 | Compact Microphone, Open Cardioid Pattern |
| CCM4 | Compact Microphone, Cardioid Pattern |
| CCM41 | Compact Microphone, Supercardioid Pattern |
| CCM8 | Compact Microphone, Figure 8 Pattern |
| MSTC 64 U | ORTF Stereo Microphone |
| BLM 3 | Boundary Layer Capsule |
| V4 USM Set | Studio Vocal Microphone |
| SuperCMIT 2 U | Shotgun Microphone |
| CMIT 5 U | Shotgun Microphone |
| MiniCMIT | Miniature Shotgun Microphone |
| ORTF-3D | OUTDOOR SET Plug & Play Set For 3D Ambience |
| OCT-3D SET | Recording Technique for 9Ch Surround |
| Microphone amplifier | |
| CMC6Ug | Microphone Amplifier |
| CMD42 | Digital Microphone Amplifier for AES42 |
| Clamp & Suspension | |
| SG20 | Stand Clamp with Swivel |
| SGCM | Miniature Stand Mounts with Swivel |
| A20 | Elastic Suspensions with Swivel |
| A20 S | Strong Elastic Suspensions with Swivel |
| Active Extension Tube | |
| RC 350g | Active Extension Tube, 350mm |
| RC 700g | Active Extension Tube, 700mm |
| RC 1200g | Active Extension Tube, 1200mm |
| RC 1450g BOC | Active Extension Tube, 1200mm with special Andrea Bocelli |
| RG8 | Swivel Joint |
| RG88 | Double Version of the RG 8 Swivel |
| STA 1400 L3Ug | Stand with Internal Wiring and Gooseneck Element |
| RLG 350 Ug | Straight Extension Tube |
| RS, SRS 420 L5Ug | Flanged Mounting Adapter with Internal Shock |
| AF 1 | Mount |
| Vertical Support Rod | |
| STR 250g | Microphone Extension Rod, 250mm |
| STR 350g | Microphone Extension Rod, 350mm |
| STR 600g | Microphone Extension Rod, 600mm |
| STR 1000g | Microphone Extension Rod, 1000mm |
| Other | |
| BF 250 | Heavy Floor Stand |
| T5g | Heavy Table Stand |
| KC5G | Active Colette Cable |
| TCg | Miniature Table Stand |
| TC2g | Miniature Table Stand stereo of the TCg |
| TR L | Compact Table Stand for MK Capsules |
| TR KC | Compact Table Stand for CCM Capsules |
| GVC | Capsule Swivel |
| M 100 C | Miniature Stereo Mounting Bar |
| UMS 20 | Universal Stereo Bracket |
| MAB 1000 | A/B and OCT Stereo Mounting Bar |
| FA-1 | Adapter for Flute |
| GA-1 | Adapter for Guitar |
| SA-2 | Adapter for Saxophone |
| VA-1 | Adapter for Violin |
| VA-3 | Adapter for Cello |
| VA-4, VA-5 | Adapter for Double Bass |
| KA-40 | Sphere Attachment |
| Screen | |
| B1 | Simple Capsule Guard |
| B1D | Popscreen |
| B5 | Solid Foam Popscreen |
| B5D | Hollow Foam Popscreen |
| B55D | Hollow Foam Popscreen, Double Version of the B5D |
| W5D | Windscreen |
| W20R1 | Basket Frame with Synthetic Fur Cover |
| RYCOTE V4 full set | Modular Windshield |
| CYCLONE | Windshield, Small, Medium and Large |
| Other Microphones | |
| AEA | |
| R44CE | Ribbon Microphone |
| AKG | |
| C 414 XLS | Reference Multipattern Condenser Microphone |
| C 414 XLII | Reference Multipattern Condenser Microphone |
| C 451 B | Small-Diaphragm Condenser Microphone |
| C 411 PP | Condenser Pickup Microphone with XLR |
| Audio-Technica | |
| AT4050SM | Multi-pattern Condenser Microphone with windshield and shock mount |
| AT2010 | Cardioid Condenser Handheld Microphone |
| AT899cW-TH | Subminiature Omnidirectional Condenser Lavalier Microphone |
| ATM650 | Hypercardioid Dynamic Instrument Microphone |
| U851R | Cardioid Condenser Boundary Microphone |
| Audix | |
| D6 | Professional Dynamic Instrument Microphone |
| D4 | Professional Dynamic Instrument Microphone |
| D2 | Professional Dynamic Instrument Microphone |
| i5 | All-purpose Professional Dynamic Instrument Microphone |
| SCX25A | Premium Large Diaphragm Studio Condenser Microphone |
| Beyerdynamic | |
| M201 TG | Dynamic Hypercardioid Microphone |
| M88 TG | Dynamic Microphone With Hypercardioid Polar Pattern for Vocals, Bass Drum, and Studio |
| EARTHWORKS | |
| DM20 gen2 | Gooseneck Condenser Microphone Cardioid |
| DM6 | Condenser Supercardioid Microphone for Kick Drum |
| PM40 | Piano Microphone System |
| M30 | 30kHz Measurement Microphone |
| SR20LS | Bass Drum Microphone |
| SR25 gen2 | Condenser Microphone, Supercardioid |
| EV | |
| RE-20 | Dynamic Cardioid Microphone with windshield and mount |
| RE-27 | Broadcast Announcer Microphone windshield and mount |
| NEUMANN | |
| KMS 105 | Handheld Vocal Microphone |
| TLM 103 | Large Diaphragm Condenser Microphone |
| TLM 170 R | Reference Multipattern Condenser Microphone |
| U 89 | Studio Microphone, Omnidirectional, Cardioid and Figure-8 |
| KM 184 | Small diaphragm condenser microphone |
| REMIC | |
| RE7100 | Microphone for multi-instruments, Omnidirectional with mount Violin, Viola, Cello and Double Bass |
| RE7200 | Microphone for multi-instruments, Supercardioid with mount Violin, Viola, Cello and Double Bass |
| SANKEN | |
| CSS-5 | Stereo (Wide/Normal) Mono Switchable Shotgun Microphone |
| Sennheiser | |
| E904 | Dynamic Cardioid Microphone for drums and percussion |
| E906 | Super-Cardioid, Dynamic Instrument Microphone with switchable presence filter |
| E935 | Dynamic Cardioid Vocal Microphone |
| MD421 | Dynamic Cardioid Microphone |
| MD441 | Dynamic Super-Cardioid Microphone |
| SCHERTLER | |
| DYN-A | Pickup for Acoustic Instrument |
| DYN-B | Pickup for Double Bass |
| DYN-B P48 | Pickup for Double Bass |
| DYN-C P48 | Pickup for Cello |
| DYN-GP | Pickup for Grand Piano |
| DYN-H P48 | Pickup for Harp |
| SHURE | |
| BETA & SM | All members of the BETA & SM series |
| KSM 8 | Dualdyne Vocal Microphone |
| KSM 9 | Handheld Vocal Microphone |
| KSM 32 | Embossed Single-Diaphragm Microphone |
| KSM 44 | Multi-Pattern Dual-Diaphragm Microphone |
| KSM 137 | Instrument Microphone |
| KSM 141 | Dual-Pattern Instrument Microphone |
| KSM 313 NE | Dual-Voice Ribbon Microphone |
| Nexadyne 2 | Supercardioid Dynamic Kick Drum Microphone |
| Nexadyne 5 | Supercardioid Dynamic Guitar Amp Microphone |
| Nexadyne 6 | Supercardioid Dynamic Tom/Snare Microphone |
| SM7B | Dynamic Speaker and Recording Microphone |
| TL47 | TwinPlex Subminiature Lavalier Microphone, Low Sensitivity, Natural Sound |
| TL48 | TwinPlex Subminiature Lavalier Microphone, Low Sensitivity, Speech Tailored Sound |
| VP 88 | Stereo Condenser Microphone |
| WL-183 | Lavalier Condenser Microphone, Omnidirectional |
| WL-183M | Low-Profile Lavalier Microphone, Omnidirectional |
| WL-184 | Lavalier Condenser Microphone, Supercardioid |
| WL-184M | Low-Profile Lavalier Microphone, Supercardioid |
| WL-185 | Lavalier Condenser Microphone, Cardioid |
| WL-185M | Low-Profile Lavalier Microphone, Cardioid |
| MX-418 | Gooseneck Microphone |
| MX-412 | Gooseneck Microphone |
| Centraverse base | Microphone Base |
| Telefunken | |
| M82 | Dynamic large-diaphragm microphone |
| Yamahiko | |
| Piano model | High Quality Piano Pickup System For Professional Use |
| DI Box & Accessories | |
| BSS | |
| AR-133 | Active DI Box |
| INTERSPACE INDUSTRIES | |
| SPLIXLER | XLR Splitter |
| KLARK TECHNIK | |
| DN-100 | ACTIVE DI Box |
| DN-200 | Active Stereo DI Box |
| RADIAL | |
| BT-PRO | Bluetooth Direct Box |
| Catapult | 4-channel Cat 5 Audio Snake |
| Decoder | Mid/Side Matrix and Mic Preamp |
| Exo-pod | Broadcast Splitter |
| HotShot DM1 | Microphone Switcher |
| J33 | Turntable Direct Box |
| J48 | Phantom Powered Active Direct Box |
| J48 DUPLEX | Stereo Phantom Powered Active Direct Box |
| J48 STEREO | Stereo Phantom Powered Active Direct Box |
| JDI | Passive Direct Box |
| JDI DUPLEX | Stereo Direct Box |
| JDI STEREO | Stereo Passive Direct Box |
| JDV MK5 | Super Direct Box |
| JDX | Guitar Amp Direct Box |
| JPC | Computer Direct Box |
| JS 2 / JS 3 | Passive Microphone Splitter |
| McBoost | Microphone Signal Intensifier |
| Mpress | Broadcast Press Box |
| Phazer | Class-A Phase Adjuster |
| PROAV2 | Multimedia Passive Direct Box |
| PRO-DI | Passive Direct Box |
| PZ-DI | Orchestral Instrument Direct Box |
| REAMP | Reamp JCR Studio Reamper |
| TRIM TWO | Stereo DI with Level Control |
| USB-PRO | Stereo USB Laptop Direct Box |
| RUPERT NEVE DESIGN | |
| RNDI | Active Transformer Direct Interface |
| ROLLS | |
| MM11 Pro | Switchable Mic Mute/Talk Professional Microphone Switch |
| MS111 | Mic Mute Switch |
Analóg és digitális kiegészítőink – Bricasti, Lexicon, Avalon, Waves és SPL eszközök – a legmagasabb színvonalat képviselik. Célunk, hogy minden hang a klasszikus zene érzékenységéhez méltó pontossággal szólaljon meg.
Mixer & Accessories
| Allen & Heath |
| S7000 — Control Surface, 2x 12″ Touchscreens, 36 Fader / 6 Layers, gigaACE, DX link |
| C1500 — Control Surface, 12″ Touchscreen. 12 Faders / 6 Layers, gigaACE, DX link |
| DM64 — 64 inputs 32 output, 3 I/O port, Redundant S-Link, DX, PSU |
| DM32 — 32 inputs 16 output, 3 I/O port, Redundant S-Link, DX, PSU |
| SQ-5 — 48-Channel Digital Mixer, With 96 kHz FPGA processing, 17 Faders / 6 Layers |
| DX168 — 16 Mic / line inputs, 8 XLR outputs |
| AVID |
| S6L-24D — Surface 24+2 Faders, 1 Master, 2 Channel Touch Modules |
| S6L-32D — Surface 32+2 Faders, 1 Master, 3 Channel Touch Modules |
| E6L-144 — 144 input, 64 + LCR Mix Bus, 16×16 Matrix, 48 VCA, 400 Plugin slot, AVB, MADI, WAVES Card with Opticalcon |
| E6L-192 — 192 input, 96 + LCR Mix Bus, 24×24 Matrix, 48 VCA, 400 Plugin slot, AVB, MADI, WAVES Card with Opticalcon |
| STAGE 16 — 16 input, 8 output, 4 AES3 output |
| STAGE 32 — Total 32ch input/output, 4 I/O card slot |
| STAGE 48 — 48 input, 24 output |
| STAGE 64 — 64 input, 32 output, 12 I/O card slot |
| Opticalcon — Fiber Optic cables with Opticalcon connectors 200m |
| DiGiCo |
| SD12 96 — 96 input, 48 Aux / Sub Group Busses, DMI-WAVES with HMA Optocore |
| SD12T — 96 input, 48 Aux / Sub Group Busses, Theatre upgrade and DMI-WAVES with HMA Optocore |
| Quantum 225 — 72 input, 36 Aux / Sub Group Busses, Waves / Fourier integration with HMA Optocore |
| Quantum 225 Pulse — 96 input, 48 Aux / Sub Group Busses, Pulse upgrade and Waves / Fourier integration with HMA Optocore |
| Quantum 338 — 128 input, 64 Aux / Sub Group Busses, Waves / Fourier integration with HMA Optocore |
| Quantum 338 Pulse — 156 input, 72 Aux / Sub Group Busses, Pulse upgrade and Waves / Fourier integration with HMA Optocore |
| Quantum 338 T — 156 input, 72 Aux / Sub Group Busses, Theatre upgrade and Waves / Fourier integration with HMA Optocore |
| Quantum 7 — 256 input, 128 Aux / Sub Group Busses, Broadcast and Theatre upgrade and Waves integration with HMA Optocore |
| Quantum 852 — 384 input, 192 Aux / Sub Group Busses, Broadcast and Theatre upgrade and Waves / Fourier integration with HMA Optocore |
| SD-Rack — 56in/56out, 14 card module slot with HMA Optocore |
| SD-MiNi Rack — 4 card slot with HMA Optocore |
| SD-Nano Rack — 2 card slot with HMA Optocore |
| SD I/O Cards — 32-Bit Mic Pre-Amp, 32-Bit DAC output, 192 kHz Analog output, AES42 digital input, AES/EBU input, AES/EBU output, AES/EBU Input/Output card, HD-SDI card |
| Orange Box — 2 I/O DiGiCo Multichannel Interface (DMI) card slot |
| DMI Card — DMI-MADI-B, DMI-AES, DMI-ADC, DMI-DAC, DMI-WAVES, DMI-ME, DMI-OPTO, DMI-MIC, DMI-KLANG, DMI-DANTE64@96, DMI-AVB |
| 4REA4 + ACONTROL8 — Processing Engine, 128 input, 56 output, 3 SD Card slot, 4 DMI Card slot, programmable remote control |
| FiberFox — Optic cables with HMA connectors 5, 150, 200, 300m, Madi coax cables (BNC) 5, 100m |
| AMS-NEVE |
| 1073DPA — Essential Studio Preamp, two Class A Neve 1073 microphone preamplifiers |
| 33609/N — Discrete Precision Stereo Limiter/Compressor, exclusive Marinair specification transformers |
| 8801 — Complete channel strip, iconic Neve mic preamp, powerful EQ and incredible 88R dynamics processor |
| ANTELOPE AUDIO |
| 10MX — Rubidium Atomic Clock |
| OCX-HD — 768 kHz HD Master Clock |
| API |
| 2500+ — Legacy Stereo Bus Compressor with blend function |
| APPSYS |
| MVR-mkII — Multiverter with SRC module Digital Audio Converter, 11×11 interfaces conversion |
| AVALON DESIGN |
| U5 — Mono Instrument & DI Preamplifier |
| 737SP — Opto-Compressor, Sweep Equalizer, Output Level and VU Metering |
| 747SP — Class A, Vacuum Tube-Discrete Twin Signal Path Opto-Compressor-Equalizer |
| BETTERMAKER |
| Mastering Limiter 2.0 — Stereo Limiter |
| BRICASTI DESIGN |
| M7 — Stereo Reverb Processor |
| M10 — Reverb Remote Console |
| BSS AUDIO |
| DPR-402 — Dual Compressor/De-Esser/Limiter |
| DPR-901 II — Dynamic Equalizer |
| DAD |
| AX64 — Multi-Format Audio A/D, D/A, D/D Converter, 1744 Input and Output Channels |
| DAD Core 256 — Multi-Format Digital Audio Interface, 256 channels at 48 & 96 kHz ASIO/Core Audio with Thunderbolt |
| DBX |
| 120A — Subharmonic Synthesizer |
| 160A — Compressor / Limiter |
| 160SL — Dual Compressor Limiter |
| 162SL — Purple Series Stereo Compressor/Limiter with AutoVelocity |
| DIRECTOUT |
| MAVEN.A — Smart audio platform with modular IOs and signal processing |
| PRODIGY.MX — Multiformat audio matrix with 1664 x 1664 audio channels |
| EMPIRICAL LABS |
| EL8X — Distressor Digitally Controlled Analog Knee Compression |
| EL7XFATSO — 2-channel Analog Tape Simulator and Compressor |
| EVENTIDE |
| REVERB 2016 — Reverb that recreates the legendary reverb algorithms of Eventide’s SP2016 |
| ECLIPSE — Harmonizer Effects Processor |
| H9000 — Powerful Multi-FX Processor |
| FOURIER |
| transform.engine — Dante-connected studio-grade audio software plugins to productions and broadcasts |
| LEXICON |
| 960L + LARC2 — Configurable Stereo/Surround Reverb Processor and Flying Fader Remote |
| PCM96 Surround — Digital Parallel Stereo and Surround Reverb/Effects Processor with Analog & Digital I/O |
| Manley |
| Stereo Variable MU — Stereo Variable Limiter Compressor |
| VOXBOX — Reference Channel Strip |
| MERGING AUDIO |
| ANUBIS — Audio interface and monitor controller with multiple workflows |
| HAPI — Network audio interface, 2 card slot, RAVENNA/AES67, DXD and DSD64/128/256 Sample rate support |
| HORUS — Network audio interface, 6 card slot, RAVENNA/AES67, DXD and DSD64/128/256 Sample rate support |
| RME |
| DIGIface AVB — 256 Channel 192 kHz USB 3.0 Audio interface |
| FIREface UCX — 18 Input / 18 Output channels, USB & FireWire Audio Interface |
| MADIface XT — 394 Channel 192 kHz USB 3.0 Audio Interface |
| MADIface USB — 64 Channel 96 kHz USB 2.0 Audio Interface |
| RUPERT NEVE DESIGN |
| 5045 — Primary Source Enhancer |
| 5059 Satellite — Active 16×2+2 Summing Mixer, Silk and Silk+ |
| Master Bus Converter — Dual Path A-D Converter & Limiter |
| Master Bus Processor — Master Bus Processor Ultimate Dynamics, Tone and Stereo Field Control |
| Master Bus Transformer — Analog Stereo Master Processor, Shelf EQ, Color Comp, Super Silk |
| RMP-D8 — 8-Channel Dante Mic Preamp + Mastering-Grade Converter |
| Shelford Channel — Channel strip with transformer gain preamp, DI, inductor EQ and diode bridge compressor |
| Shelford Diode Bridge — 2-Channel Diode Bridge Compressor |
| Smart Research |
| C2 — Dual/Stereo Compressor |
| SONIC FARM |
| Creamliner III — Dual Pentode Preamplifier, Class-A Tube Saturator |
| Sonifex |
| RB-DA6 — 6 way Stereo Analog Distribution Amplifier |
| RB-DDA6A — 6 way AES/EBU Distribution Amplifier |
| RB-SC1 — Digital Audio, sample rate converter, 32-44.1-48-96 kHz, AES/EBU, S/PDIF |
| Solid State Logic |
| BUS+ — Analog Stereo / Dual mono / MS Bus Compressor |
| FUSION — Analog Stereo Master Processor |
| MADI Optic-Coax — Handy in-line converter between Optical and Coaxial MADI |
| SPL |
| Channel One mk3 — One Channel strip with Tube Saturation, De-Esser, Transient Designer, Compressor and EQ |
| Tube Vitalizer — Mastering Program Equalizer |
| Transient Designer 4 — 4 Channel Dynamic Effect Processor |
| TwinTube — Tube Saturation & Tube Harmonics Processor |
| TC-ELECTRONICS |
| TC 2290 — Dynamics Digital Delay |
| TC MUSIC 6000 MKII — Multi Channel Reverb Processor with TC ICON mkII remote |
| TC M3000 — Studio Reverb Processor |
| TC REVERB 4000 — Stereo Reverb Processor |
| TUBE-TECH |
| CL 1B — Opto Compressor |
| LCA 2B — Dual Channel Tube VCA Compressor |
| SMC 2B — Multiband Opto Compressor |
| Universal Audio |
| UAD-2 Live Rack — Realtime MADI Effects Processor |
| XTA |
| DS 8000 — Audio Distribution System, 8 Input to 32 Output |
| MX36 — Audio Routing Matrix Switches, 36 input, AES and Dante network |
| WAVES |
| DiGiGrid MGB — MADI-to-SoundGrid interface with Coaxial BNC |
| DiGiGrid MGO — MADI-to-SoundGrid interface with Optical |
| AVID S6L — Waves SoundGrid Option Card |
| MaxxBCL — Three Powerful Processors in One Unit, Compression, Bass augmentation and Level maximization |
| Extreme-C SG Server — Powerful, compact DSP unit runs hundreds of plugin in real time |
| Titan SG Server — Waves most powerful server runs more plugins in real time |
A hangjelek továbbítását gondosan válogatott, megbízható vezetékes (Van Damme) és digitális vezetéknélküli (Shure) rendszerek biztosítják. Stabilitásuk és láthatatlan jelenlétük elengedhetetlen a zavartalan előadásokhoz.
Wireless Microphones System
| AXIENT DIGITAL |
| AD 1 — Bodypack Transmitter |
| ADX 1 — Bodypack Transmitter with ShowLink |
| ADX 1M — Bodypack Transmitter Miniature with ShowLink |
| AD 2 — Handheld Wireless Microphone Transmitter |
| ADX 2 — Handheld Frequency Diversity Transmitter with ShowLink |
| ADX2FD — Handheld Dual Frequency Diversity Transmitter with ShowLink |
| AD 3 — Plug-On Wireless Transmitter |
| ADX 3 — Digital Plug-On Transmitter with ShowLink |
| ADX5D — Dual-Channel Portable Wireless Receiver |
| AD4D — Dual-Channel Digital Wireless Receiver |
| AD4Q — Four-Channel Digital Wireless Receiver |
| AD 610 — Diversity ShowLink Access Point |
| SBRC — Rackmount Charging Station for SB900, SB910, SB910m, SB920 |
| WWB 7 — Wireless Workbench Software |
| WAVETOOL — Audio Monitoring & Listening Software |
| ANTENNA SYSTEM |
| AXT 630 — Antenna Distribution System |
| AXT 644 — Directional antenna 2.4 GHz |
| UA 845 SWB — Active Antenna Splitter |
| UA 845 UWB — Ultra Wide Band Antenna Distribution System |
| HA 4540 — Tour Series Helical Antenna |
| HA 8089 — Helical Antenna |
| HA 8091 — Domed Helical Antenna |
| UA 860 SWB — Passive Omnidirectional Antenna |
| UA 874 — Active Directional Antenna |
| PA805DB-RSMA — Passive Dual Band Directional Antenna |
| PSW AlphaQuad-8 — 8 Antenna Distribution (Quadvesity) |
| RF Venue 4 ZONE — Multi Zone Antenna Combiner |
| RF Venue DFIN — Diversity Fin® Passive Two Antennas in One |
| MFL — Wideband Optical Link |
| BFLT1-BFLR1 — Portable RF over Fiber Unit |
| MPA4 — 4 Channel RF Power Amplifier |
| Frequency management |
| AD 600 — Axient Digital Spectrum Manager |
| AXT 600 — Axient Spectrum Manager |
| ACCESSORIES |
| AD 651B — Talk Switch for ADX2/ADX2FD |
| WA 580 — Cloth Pouch for all Shure beltpacks |
| UAMS/BK — Modular Mute Switch |
| Adapter Cables — WA302/WA304/WA305/WA309/WA310 |
| WA661/WA662 — In-Line Bodypack Mute Switch |
| WISYCOM |
| MTB40S-UN — Plug-On Transmitter |
| MCR54 — 4 Channels Multiband True Diversity Receiver |
| MCR54-DUAL — Dual True Diversity Wireless Microphone Receiver |
| MPR52-ENG — Two Channel Ultra-Wideband Receiver |
Personal Monitor System
| AXIENT DIGITAL PSM |
| ADTD — Personal Monitor System, Axient® Digital PSM Wireless Dual Transmitter |
| ADTQ — Personal Monitor System, Axient® Digital PSM Wireless Quad Transmitter |
| ADXR — Axient® Digital PSM Wireless Bodypack Receiver |
| AD8C — Axient® Digital PSM 8-Port Antenna Combiner |
| AD221 — Axient® Digital PSM 2-Way Passive Combiner/Splitter |
| PSM 1000 |
| P10T — Personal Monitor System, Dual Channel Wireless Transmitter |
| P10R — Wireless Diversity Bodypack Receiver |
| PSM 900 |
| P9T — Wireless Transmitter |
| P9RA — Rechargeable Wireless Bodypack Receiver |
| Wired |
| P9HW — Wired Bodypack Personal Monitor |
| KLANG:technologies |
| :konductor — 16 immersive In-Ear mixes, 128 inputs channels |
| :DMI-klang — 16 immersive In-Ear mixes, 64 inputs channels |
| :kontroller — Personal controller |
| Phonak |
| Roger system — Miniature in-ear monitor system |
| EARPHONES |
| SE 112 — Professional Sound Isolating Ear Monitor |
| SE 425 — Professional Sound Isolating Ear Monitor Dual Driver |
| SE 535 — Professional Sound Isolating Ear Monitor Triple Driver |
| SE 846 — Professional Sound Isolating Ear Monitor Quad Driver |
| E3 — Professional Sound Isolating Ear Monitor |
| E4 — Professional Sound Isolating Ear Monitor |
| LA Contour XO — Ear Monitor with Jerry Harvey Audio Triple Driver |
| ANTENNA SYSTEM |
| PA 821 — Antenna Combiners |
| HA 4540 — Tour Series Helical Antenna |
| HA 8089 — Helical Antenna |
| HA 8091 — Domed Helical Antenna |
| PA 805 — Directional Antenna |
| RF Venue CP — CP Stage Antenna Circular Polarization |
| Wisycom CSI16T — Smart Passive Wideband Combiner / 16:1 / 2x 8:1 / 4x 4:1 |
| ACCESSORIES |
| PA301 — Water-Resistant Cover for P9RA and P10R |
Wireless Capsules
| EARTHWORKS AUDIO |
| SR3117 — Condenser Capsule, for Shure Wireless System |
| NEUMANN |
| KK 105 — Ambient Adapter Capsule of the KMS Vocal Microphone, for Shure Wireless System |
| SE Electronics |
| V7 MC1 — Wireless Capsule, for Shure Wireless System |
| SHURE |
| RPW 112 — Capsule of the SM58 Microphone, for Shure Wireless System |
| RPW 118 — Capsule of the Beta58A Microphone, for Shure Wireless System |
| RPW 120 — Capsule of the Beta87A Microphone, for Shure Wireless System |
| RPW 124 — Capsule of the VP68 Microphone, for Shure Wireless System |
| RPW 174 — Capsule of the KSM8 Microphone, for Shure Wireless System |
| RPW 182 — Capsule of the KSM9/HS Microphone, for Shure Wireless System |
| RPW 184 — Capsule of the KSM9 Microphone, for Shure Wireless System |
| RPW 192 — Capsule of the KSM11 Microphone, for Shure Wireless System |
| RPW 200 8/C — Capsule of the Nexadyne Cardioid Microphone, for Shure Wireless System |
| RPW 204 8/S — Capsule of the Nexadyne Supercardioid Microphone, for Shure Wireless System |
| Telefunken |
| M81-WH — Wireless capsule head, for Shure Wireless System |
Monitor
| GENELEC |
| 8010A — Studio Monitor (Woofer 3” + Tweeter 3/4” metal dome + DCW™) |
| 8040B — Studio Monitor (Woofer 6 1/2” + Tweeter 3/4” metal dome + DCW™) with 8040 Stand Plate Iso-Pod |
| 8351SAM™ — Studio Monitor (2x Oval Woofers 8 1/2 x 4” + Coaxial Midrange/Tweeter MDC™ 5 / 3/4” + DCW™) |
| L-ACOUSTICS |
| LA4X — 4 x 1000 W Amplified controller (Milan-AVB, AES/EBU, Analog) |
| LA12X — 4 x 3300 W Amplified controller (Milan-AVB, AES/EBU, Analog) |
| 5XT — Passive 2-way coaxial enclosure (5” + 1”) |
| X8 — Passive 2-way coaxial enclosure (8” + 1,75”) |
| X12 — Passive 2-way coaxial enclosure (12” + 3”) |
| X15 HiQ — Bi-Amp 2-way coaxial enclosure (15” + 3”) |
| Accessories — ETR-5 U, X-BAR, X-UL8, X-UL12, X-UL15, X-US8, X-US1215, X-UTILT, CLAMP250, EMBi |
| MACKIE |
| SRM150 — Shoutbox |
| MEYER SOUND |
| UM-1P — Ultra Stage Narrow Coverage Stage Monitor (12” + 3”) |
| AMIE — Precision Studio Monitor (6,5” + 1”) |
| PMC |
| result6 — Precision Studio Monitor (6,5” + Soft Dome) with ATL™ |
| twotwo.6 — Precision Studio Monitor (6,5” + Soft Dome) with ATL™ |
| twotwo.8 — Precision Studio Monitor (8” + Soft Dome) with ATL™ |
A stúdió minőségű hangzás érdekében csúcskategóriás pluginokat és kiegészítő eszközöket használunk. A professzionális megoldások minden részletre kiterjedően támogatják a kompromisszum mentes megszólalást.
| Plugins | |
| EMPIRICAL LABS | |
| Arousor | Classic Knee Compressor |
| BIG FrEQ | Equalizer |
| FabFilter / Total Bundle | |
| Pro-Q3 | Equaliser |
| Pro-R2 | Reverb |
| Pro-L2 | Limiter |
| Pro-C2 | Compressor |
| Pro-MB | Multiband Compressor |
| Pro-DS | DeEsser |
| Pro-G | Gate/Expander |
| Saturn 2 | Distortion/Saturation |
| Timeless 3 | Delay |
| Volcano 3 | Filter |
| Twin 3 | Synthesizer |
| One | Synthesizer |
| Simplon | Filter |
| Micro | Filter |
| FLUX / Full Pack Bundle | |
| Alchemist | Dynamics |
| Epure | Equaliser |
| Solera | Compressor |
| Pure Compressor | Compressor |
| Pure DCompressor | DeCompressor |
| Pure Expander | Expander |
| Pure DExpander | DeExpander |
| Pure Limiter | Limiter |
| Syrah | Compressor |
| Bittersweet Pro | Transient Editing |
| Elixir | True Peak Limiter |
| IRCAM-Verb | Reverb |
| IRCAM Hear | Binaural Encoding |
| Pure Analyzer Essential | Real-Time Spectrum Analyser |
| EVO.CHANNEL | Channel Strip |
| EVO.IN | Phase Correction |
| EVO.EQ | Equaliser |
| EVO.COMP | Compressor |
| EVO.TOUCH | DeEsser, Expander, Transient and Sustain Designer |
| SPAT Revolution | Spatial Audio |
| Liquid Sonic | Ultimate Bundle |
| Seventh Heaven Pro | Bricasti M7 Simulator |
| Lustrous Plates | Plate Reverb |
| Illusion | Reverb |
| Cinematic Room Pro | Surround Room Reverb |
| Reverberate3 | Modulated True-Stereo Convolution Reverb |
| MCDSP | |
| Live Pack II. | Ch Strips, Equalizers, Compressors, Multi-Band & Limiters, Noise Reduction, Reverb & Delay |
| Everything Pack | Ch Strips, Equalizers, Compressors, Multi-Band & Limiters, Noise Reduction, Reverb & Delay |
| NUGEN AUDIO | |
| Loudness Bundle | ISL True Peak Limiter, LM-Correct Loudness Quick-Fix, VisLM Loudness Meter |
| Producer Bundle | ISL 2st, Master Check Pro, Mono-Filter, SEQ-ST, Stereoizer, Stereplacer, Visualizer |
| PLUGIN ALLIANCE | |
| AAX Venue DSP | Dynamics, Equalizers, Consoles & Channel Strips, Color, Reverb & FX, Mix Trix, Guitar & Bass |
| UNIVERSAL AUDIO | |
| Ultimate Bundle | 215 plug-ins with UA, Auto-Tune, Neve, SSL, API, Marshall, Fender, Lexicon, Ampex, Hellos |
| Live Rack | Realtime UAD DSP Server |
| SOFTUBE | |
| Summit Audio Grand Channel | Grand Channel, EQF-100, TLA-100A, Grand Channel for Console 1 |
| Tube-Tech Complete Collection | Tube Tech Blue Tone, SMC 2B, CL1B, Equalizers, Classic Channel, PE 1C, ME 1B |
| SONNOX | |
| Elite Bundle | Ultimate Oxford Plugins Collection, TransMod, Dynamics, EQ, Inflator, Limiter, Reverb, SuprEsser |
| Live Bundle | TransMod, Dynamics, EQ, Inflator, Reverb, SuprEsser DS for AVID Live Console |
| TC- ELECTRONIC | |
| TC 2290-DT | Legendary Dynamics Delay with Dedicated Desktop Interface |
| Studio Elite Collection | 20 plug-ins the legendary TC Electronic System 6000, TC legacy catalogue and Midas Console |
| Valhalla | |
| Delay | Classic and Modern Delay and Echo |
| VintageVerb | Classic Digital Reverb |
| Room | True Stereo Algorithmic Reverb |
| Plate | Classic Plate Reverb |
| Shimmer | Algorithmics Reverb Designed for BIG Sound |
| UberMod | Unique Multitap Delay and Modulation |
| Space Modulator | Modulator |
| Freq Echo | Bode-Style Frequency Shifter + Analog Echo Emulation |
| Super Massive | Massive Reverbs, Harmonic Echoes, Space Sound |
| WAVES | |
| Abbey Road Collection | Precise models of Abbey Road Studios’ legendary analog gear |
| Mercury Bundle | Over 195 plugins for music production, mixing, and mastering |
| SSL 4000 Collection | Classic SSL console plugin |
| Dugan Automixer + Dugan Speech | Automatic real-time gain control for up to 64 mics |
| SuperRack | Customizable software rack for live processing with plugins |
| SuperRack Performer | Run Waves + any VST3 plugins in your live shows, natively on Mac & PC |
| FourierAudio | |
| transform.suite25 | 70+ plugins, 10 world-class brands. exclusively for transform.engine |
| AVID | |
| ProTools | DAW Software |
| Audioström | |
| LiveProfessor | Portable and flexible effect rack using VST or AU plugins |
| CraneSong | |
| Phoenix II | Tape Emulation |
| DAD | |
| DADman | Control Software of the DAD AD/DA converters |
| Eventide | |
| Anthology XII | 33 plugins designed to enhance, morph, mangle, pitch shift, re-shape |
| Merging Technologies | |
| Pyramix | DAW Software |
| Native Instrument / iZotope Everything | |
| Ozone 11 Advanced, Nectar 4 Advanced, RX 11 Advanced, VEA, Trash & more | |
| Oeksound | |
| Soothe2 | Equalizer |
| SSL / SSL Complete | |
| SSL and Slate Digital, Harrison Audio’s plug-ins | |
| Dada Life | |
| Sasuage Fattener | Dynamics, Distortion, Compressor, Saturator |
| Steven Slate Drums | |
| Trigger 2 Platinum | Industry-Standard Drum Replacement |
| CableGuys | |
| Kickstart | Sidechain Compressor |
| ReFX | |
| NExus 2 | Next generation ROM Synthesizer |
| KV331 Audio | |
| Syntmaster | Wavetable Synthesizer |
| Sugar Bytes | |
| Effectrix | Professional Multi-Effect Sequencer |
| X-fer Records | |
| LFO Tool | Powerful LFO Shaping |
| Serum | Advanced Wavetable Synthesizer |
| Cytomic | |
| The Glue | Analog Modelled Compressor |
| Sample Magic | |
| MagicAB | Referencing Tool |
| Others | |
| VAN-DAMME | |
| TourLight | Optic Cables Systems with Boxes (for Audio and Video) |
| TourGrade | Complete Van-Damme Stagebox System |
| TourCat | Complete CAT5e, CAT6a System |
| BELDEN | |
| Complete Antenna and CAT5e System | |
| Microphone stands | |
| KM 25950 | Short Microphone Stand – Height: 305mm, boom length: 425/725 mm |
| KM 25200 | Microphone Stand – 3-piece metal telescopic shaft, non-marring height-adjustment mechanism (620-1470mm), includes boom arm (490-795mm) |
| KM 21021 | Overhead Microphone Stand – extra high stand with long boom and wide feet, height: 1120-2010mm boom length: 1065mm |
| KM 21430 | Heavy Overhead microphone stand |
| KM 233 | Table- /Floor microphone stand |
| KM 260 | Round base microphone stand |
| KM 235,236,237 | Accessories |
| Speaker stands | |
| Gravity LS 331 B | Speaker stand |
| Gravity SAT 36 B | Adjustable T-Bar for Speaker Stands |
| KM 21467 | Speaker stand |
| KM 26750 | Round Base speaker stand |
| Stage Accessories | |
| Manhasset Voyager Modell 52 | Tour Musician Stand |
| Modell 54 | Conductor’s Stand |
| Modell 51 | Specialty Music Stand |
| Modell 1060 | Musician Stand LED lighting |
| Bergerault BCFN | Conductor’s Podium |
| Starville | Conductor’s Podium |
| Clearsonic MegPac | Portable Isolation Booth for Drums |
| Clearsonic IsoPac | Portable Isolation Booth for Drums |
| Manfrotto | Super Clamp, Single-arm, Magic arm |
| Optogate PB-05 M | Vocal Mute Automatic Mic Mute Switch |
| Rycote | Windshield solution for several variation |
| Network | |
| Cisco | SG switch series |
| Luminex | Gigacore switch series |
| Netgear | M4250 switch series |
| IT | |
| APC | Smart-UPS series |
| Dell | Optiplex series |
| Apple | Mac mini series |
| Iiyama | Touch series |
| Ergotron | LX series |
| Furman | PL-PRO series |
